natephoto (1)


Born and raised outside of Pittsburgh in the town of Beaver Falls, Pennsylvania, currently living and working between DC and NYC.

Nate began his working career as a critical care registered nurse, he received  a BSN in nursing in 2009 and has since then worked in a medical-surgical intensive care unit, a stroke unit, a neuroscience-surgical intensive care unit and a surgical recovery unit. He worked as a critical care registered nurse for nine years. He began pursuing the arts in 2008, first it was music, violin. He then started pursuing  the visual arts in 2010. A self taught artist, drawing inspiration from anatomy, physiology, disease processes and his nursing experience as a care taker of patients and their family members he creates intricate 2-3d sculptures out of  single sheets of paper that visually combines the aesthetics of drawing, sculpture, etching,  embroidery, and textiles. His approach to his work is often instinctive and free while at the same time surgically precise.

I am interested in the unseen. My work is driven by empathy, and the desire to understand nuanced points of view. By altering photographs, I aim to challenge people’s perspectives on race and history through distortion and illusion. Treating the paper like an organism itself, I sculpt patterns akin to cellular tissue and anatomical elements, allowing hidden histories and patterns to be uncovered from the photographs. I approach subjects and imagery from a diagnostic place with the idea of utilizing diagnostic lenses and contrast dyes . By virtue of my medical training, I am interested in the tensions that exist within and without us. Ultimately, the work embraces humanistic ideas of human connection and understanding. 




Biological Tapestries – Self Portrait Sculpted Photos – – – – – – –

Biological Tapestries is a visual reflection of the competing elements of genetics, the microbiological world, human intervention through medical care, and appeals to the divine which all have a stake in determining the outcome of patients in critical care units.

As a critical care registered nurse I desired to become emotionally porous. I sought for the impersonal experiences of patients and families to become personal and intimate. This resulted in distilling untested qualities of my character and further illuminating areas of my identity.

By sculpting my body with repetitive cellular cuts I make visible these unseen competing elements, creating textures and movement that mirror the internal transformations of the patients, the individuals who were emotionally invested in these patients, and myself.

I aim for this work to show the power of freedom within boundaries, and to question to what lengths are we willing to lay aside our pride, comfort, and fear to make room for empathy, within intimate and larger social contexts.